Dailies
Daily Work Archives
A year-by-year record of everyday frames: small places, passing light, and the sights picked up along the way between 2011 and 2015.
Browse by Year
Each year groups daily photographs taken during that period. Select a year to view its gallery.
Beyond the Dailies
The daily archive sits alongside galleries organized by genre, covering urbanscape, landscape, abstract, people, nature, and portrait subjects, plus a set of special projects exploring timelapse, cinemagraphs, and mobile photography.
A daily photography archive grows out of habit, attention, and the camera's quiet insistence on looking again. What begins as a personal ritual of catching small places and passing light slowly assembles into a visible record, a year-by-year map of seeing. Browsing these collections invites a particular kind of attention, where ordinary streets, interiors, and weather become subjects worth framing. The archive is less about individual showpiece images and more about continuity, showing how a photographer's eye develops when observation is practised every day and the world is allowed to arrive at its own pace rather than being arranged for effect.
Grouping daily frames by year offers a useful lens on time, light, and recurring subjects. Each period carries its own palette and mood, shaped by seasons, projects, and the routes walked most often. Looking across several years side by side reveals shifting interests, returning places photographed in new conditions, and small technical experiments that quietly influence later work. The yearly structure also makes the archive easier to enter, letting visitors drop in at any point and follow a thread forward or backward. It turns scattered days into a navigable body of work built from consistent, attentive looking.
Dailies sit comfortably alongside galleries organised by genre, covering subjects such as urbanscape, landscape, abstract detail, people in everyday settings, nature, and portrait work. The shared visual language across these categories comes from the same daily habit of observation, even when the subjects range widely. A street scene, a close-up texture, or a quiet portrait often share an underlying concern with light, composition, and the moment just before or after something obvious happens. Treating daily and thematic work as connected rather than separate helps the archive feel like a single practice unfolding across different situations and scales.
Beyond still photography, the archive also includes special projects exploring moving image, with time-lapse sequences and cinemagraphs extending the same daily attention into motion and subtle change. These projects take the small observations found in dailies and give them duration, asking what happens when a held moment continues, shifts, or settles. Photography, time-lapse, and cinemagraph together describe a broader curiosity about how images can hold time as well as appearance. Together they form a layered body of work rooted in everyday seeing and shaped by long, patient looking.
